Alma Tadema's Oil Paintings
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Here are all the paintings of Jan provoost 01

ID	Painting	Oil Pantings, Sorted from A to Z	Painting Description
87978		Abraham Sarah and the Angel	1520s Medium Oil on wood cyf
84552		Christian Allegory	Date between 1510(1510) and 1515(1515) Medium Oil on wood Dimensions Height: 50 cm (19.7 in). Width: 40 cm (15.7 in). cjr
88658		Christian Allegory	between 1510(1510) and 1515(1515) Medium Oil on wood cyf
88818		Crucifixion	1500(1500) Medium Oil on oak panel cyf
88819		Crucifixion	first half of 16th century Medium Oil on oak panel cyf
84975		Madonna and Child with two angels	Date from 1510(1510) until 1520(1520) Medium Oil on panel Dimensions 56.5 x 50 cm (22.2 x 19.7 in) cjr
88775		Madonna and Child with two angels	Oil on panel Dimensions 56.5 x 50 cm (22.2 x 19.7 in) cyf
88830		Madonna and Child with two angels	from 1510(1510) until 1520(1520) Medium Oil on panel Dimensions 56.5 x 50 cm (22.2 x 19.7 in) cyf
84690		The Coronation of the Virgin	Date 1524(1524) Medium Oil on canvas transferred from wood cjr
88593		The Coronation of the Virgin	1524(1524) Medium Oil on canvas transferred from wood cyf
97742		The Coronation of the Virgin	1524(1524) Medium Oil on canvas transferred from wood cyf
42931		THe Virgin and Child in a Landscape	mk170 Circa 1505 Oil on oak 60.2x49.5cm
83188		Virgin and Child	Date first half of 16th century Medium Oil on oak panel Dimensions Height: 33.7 cm (13.3 in). Width: 23.9 cm (9.4 in). cjr
87297		Virgin and Child	first half of 16th century Medium Oil on oak panel cyf
88944		Virgin giving milk	Oil on Wood cjr

Jan provoost

Dutch, born circa 1465-1529,South Netherlandish painter. He probably came into contact with Simon Marmion, the renowned painter and book illuminator from Valenciennes, via Jacquemart Pilavaine, a publisher and illuminator in his native Bergen. Provoost married Marmion's widow, Jeanne de Quaroube, before 1491, and it is thus assumed that Marmion was his teacher. In 1493 Provoost moved to Antwerp, a promising town for artists, where he registered as a master in the Guild of St Luke, but in 1494 he travelled to Bruges. He became a citizen there and soon played an important part in the painters' guild. In 1506 Maximiliaen Frans (1490-1547) was his pupil. Provoost received commissions for decorative work from the town council and church authorities in 1509, 1513 and 1520, the year of the Triumphal Entry of Charles V into Bruges, for which he worked on the decorations. He returned to Antwerp the same year to meet Albrecht Derer, who may have drawn his portrait. Derer visited Bruges in April 1521 and was Provoost's guest. Of Jan Provoost's children, Adriaen Provoost (b 1508) became a painter and Thomas Provoost a glassmaker, both active in Bruges. Jan Provoost's time as a pupil in a northern French miniaturist's workshop was of decisive influence on his later oeuvre. His work radiates assurance, with its precise drawing, restrained expression and airy landscapes, and he was successful in Bruges, where there was little competition after Hans Memling's death in 1494.

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